I managed to do a quick edit on some of yesterday's video. Just a quick taster but here are Manfred and Gunther, our two German blacksmiths, with our Japanese smith Yoshida, firstly in his special tea house where he showed us a sword following the traditional ceremony, then at his workshop.
Today I took a break from the building activities and went with the European smiths to visit the Japanese smith's workshop. He is a highly respected sword smith and it was a great honour to both be invited to his workshop and to be allowed to film.
Firstly we went to the special tea house he has behind his workshop to see one of his swords:
Then we went to his workshop where he gave us a demonstration on his forge and gave Manne and Gunther the opportunity to have a go too. Unlike European smiths he works seated, with his feet down in a pit, with his forge one side and power hammer the other. It seems a very efficient way to work and his overalls remain amazingly white!
It was unbelievably hot there; it is at a much lower altitude than our work site so outside the air temperature was very high and exceedingly humid. Added to that was the temperature of the forge and my camera was getting so hot I could hardly hold it.
The video is rather special so it will have to wait for another time, probably until my return to England. Tomorrow it is most likely the Japanese building will be raised and on Sunday the European one - the sites are too close together to raise them both at once although they are both nearly ready I am told.
The timber frames of both buildings are really coming together now all the beams have been hewn and the joints are now being cut. Each piece is carefully marked out first; the Europeans are using a special laying-out floor for this purpose. It has been marked out using traditional daisy-wheel geometry, which is too complex to explain now, but I have it on video and might attempt an explanation of the basics once I get home!
The groups are still working one each others projects so there is a lovely mix of Japanese and European people and tools throughout the site. Some of the joints are amazingly complex and it must take quite some skill to cut them accurately.
Each joint will be tested by putting together each section of the frame on the laying-out floor, then fine adjustments will be made until the whole building has been put together and taken apart in sections many times. Then finally the whole frame will be put together ... at the current rate of work we expect that will be on Sunday for both buildings*.
My video for the day shows the difference between European and Japanese adzes. The European version has become less popular on site since the carpenters have found the Japanese ones (chouna) work superbly well. Here you can see both in action and our host Amemiya san showing one of the European carpenters how to use the chouna:
*Apologies for a lack of photos of the Japanese site. We have been having very heavy rain so large areas of the site have blue tarpaulin covers which make photography impossible. We were warned about the possibility of a typhoon this afternoon and if that had happened we would have had to remove all the tarpaulins, tie everything down and leave the site. Thankfully it did not develop and we could work on!
For those interested in Japanese axes and other traditional carpentry tools, take a look at the web site of the Takenaka carpentry tools museum. As well as having excellent images of lots of beautiful old tools there is a whole section explaining in quite some detail about them, including regional variations and their cultural significance. They have some connection with the main Japanese Kesurokai events, I recall from a conversation with Hannes a while back, I think they might provide some sort of sponsorship. Anyway, here's a taster from the site:
I love the web site but must confess to hating museums, their sterile environment very rapidly gives me information overload, so I was greatly relieved to see this is far away from where we are staying. Visiting it with a group of carpenters would have been a nightmare! I am far happier doing my background research in my own time and space, then watching the tools in action on the work site when I can see how they work and talk to those who are skilled in their use.
The big Gränsfors Bruks parcel arrived at Hannes' house yesterday so our tools are now all ready to go to Japan. This weekend the German carpenters will have a big meeting there to discuss the work plans and I shall hopefully drop in via the wonders of Skype.
Kesurokai meetings started in Japan in 1995, organised by the highly respected temple carpenter Sugimura san. His aim was to
bring together
different craftsmen who normally work remotely to exchange traditional
craft
techniques and knowledge.
These events serve not only the practical purpose of ensuring age-old skills are maintained, but also create a sense of community amongst the craftsmen, helping them maintain their businesses. The Kesurokai movement has around 1500 members in Japan and holds twice yearly meetings all over the country.
A friend just brought this web site to my attention which has some images from a Kesurokai meeting in 2006 which show just how large and well attended they are:
There are also some really superb videos on the web site showing how various woodworking tools are made.